The Masnavi

The Expounder of the Qurʾān

Book I's preface names Ḥusām but gives no date. Book II opens with one: an interval was needed "in order that the blood might turn to milk", and "The date of beginning this gainful (spiritual) traffic was in the year six hundred and sixty-two" (II.1, II.7) — A.H. 662, 1263–64.

Nicholson 1926, Masnavi Book I, the Arabic preface (pp. 3–4), and Book II, vv. 1 and 7

Rūmī's six-book teaching poem in rhymed couplets, dictated to Ḥusām al-Dīn: some 25,700 verses.


Rūmī's Masnavī-yi Maʿnavī — Whinfield's "Spiritual Couplets" — is a teaching poem in six books of rhyming couplets: 25,700 verses in Nicholson's count, "almost as many verses as the Iliad and Odyssey together". Its Arabic preface calls it "the Poem in Rhymed Couplets, which comprises strange tales and rare sayings" and "the expounder of the Qur'án", and names the man who asked for it, Ḥusām al-Dīn Ḥasan, "generally known as Ibn Akhí Turk"; Wikipedia's account has Ḥusām writing the verses down as Rūmī delivered them. Book II opens by dating its own start to A.H. 662 (1263–64), after a pause Whinfield ties to Ḥusām's grief at his wife's death. Tale and teaching run into each other, in what Nicholson called a "loose and rambling structure". Rūmī died at Konya on 17 December 1273; the oldest dated copy Nicholson used, the Konya manuscript, is of 1278.

Light

It holds nearly everything: Nicholson promised something in it to readers of "religion, morals, and culture", of "fables and folklore", of medicine and astrology, and of "Eastern poetry and life and manners and human nature" — and it seldom lets a story end without asking what it means.

Shadow

It is long, digressive and uneven. Nicholson warned that a faithful translation "must be to a large extent unintelligible", found among its pages "anecdotes worthy of an Apuleius or Petronius", and judged that some passages "will always remain mysterious, since the key to them has been lost".

Sources and verification5 sources · 41 links

Primary source

Scholarship

Further reading

Linked entries

  • Set againstThe Dīvān-e Shams-e TabrīzīAttested

    Rūmī's two bodies of verse: the lyric odes that carry Shams's name, and this teaching poem whose preface names Ḥusām al-Dīn, at whose request it was written.

  • Attributed toRūmīAttested

    Its Arabic preface speaks in Rūmī's own name, "Muḥammad son of Muḥammad son of al-Ḥusayn of (the city of) Balkh", who dictated the six books to Ḥusām al-Dīn.

  • Derives fromThe Song of the ReedTraditional

    Tradition has the poem grow from its opening: when Ḥusām proposed the book, Rūmī is said to have produced a paper already bearing the eighteen lines of the reed.

  • IncludesThe Chickpea to the CookAttested

    Book III of the Masnavi, lines 4159–4208 — the tale of the chickpea and the housewife.

  • IncludesThe Elephant in the DarkAttested

    A tale from Book III of the Masnavi, beginning about line 1259.

  • IncludesThe Dream of the Treasure in CairoAttested

    A tale from Book VI of the Masnavi: the man of Baghdad who dreamt of treasure in Cairo.

  • IncludesThe Song of the ReedAttested

    The first eighteen lines of Book I — the prologue that opens the whole Masnavi.

  • IncludesThe King and the HandmaidenAttested

    Book I, lines 35–246: the poem's first tale, told straight after the reed's complaint that opens it.

  • IncludesThe Greengrocer and the ParrotAttested

    Book I, lines 247–323: the poem's second tale, with the long moral that follows it.

  • IncludesThe Lion and the HareAttested

    Book I, lines 900–1389, sent by Rūmī to the book of Kalíla and Dimna for its origin.

  • IncludesThe Merchant and the ParrotAttested

    Book I, lines 1547–1912, the tale and Rūmī's gloss on it, just before the old harper.

  • IncludesThe Old HarperAttested

    Book I, lines 1913–2222, the tale of the harper, ʿUmar and the graveyard of Medina.

  • IncludesThe Moaning PillarAttested

    Book I, lines 2113–2160, set inside the tale of the old harper.

  • IncludesThe Grammarian and the BoatmanAttested

    Book I of the Masnavi, vv. 2835–2847, set inside the long tale of the Bedouin's jug and the Caliph of Baghdad.

  • IncludesWho Is at the Door?Attested

    Book I of the Masnavi, vv. 3056–3078, following the lion's hunt with the wolf and the fox.

  • IncludesThe Chinese and the Greek PaintersAttested

    Book I of the Masnavi, vv. 3467–3485, with Rūmī's gloss on the mirror of the heart running on to v. 3499.

  • IncludesʿAlī and the KnightAttested

    Book I of the Masnavi, vv. 3721–3989, the last story before the book ends at v. 4003.

  • IncludesMoses and the ShepherdAttested

    Book II of the Masnavi, vv. 1720–1791, begun after the date Rūmī gives at II.7, A.H. 662.

  • IncludesThe Man Who Planted ThornsAttested

    Book II of the Masnavi, vv. 1227–1240, closing a meditation on youth and old age that begins at II.1215.

  • IncludesThe Bear and the FoolAttested

    Book II of the Masnavi, begun at II.1932 and concluded at II.2124–2130.

  • IncludesMuʿāwiya and IblīsAttested

    Book II, lines 2604–2792; the passage printed here is the confession and reply at II.2780–2792.

  • IncludesThe Four Men and the GrapesAttested

    Book II, lines 3680–3692, between the tale of the tree of life and the reconciling of the Aws and Khazraj.

  • IncludesThe Sufi's DonkeyAttested

    Book II, lines 514–584; the passage printed here is the servant's answer, the Sufi's curse and Rūmī's gloss at II.559–568.

  • IncludesThe Mouse and the CamelAttested

    Book II, lines 3436–3452; the passage printed here runs from the halter to the mouse's answer at the river, II.3436–3447.

  • IncludesThe Snake-Catcher and the Frozen SnakeAttested

    Book III, lines 976–1066; the passage printed here is the thaw and Rūmī's gloss, III.1040–1053.

  • IncludesI Died as a MineralAttested

    Book III, lines 3901–3909, inside the story of the Ṣadr-i Jahān's wakīl, which begins at III.3686.

  • IncludesThe Embryo in the WombAttested

    Book III, lines 53–65, between the weaning lines and the story of those who ate the young elephant.

  • Includes‘Allah’ and ‘Here Am I’Attested

    Book III, lines 189–197, between God's command to Moses and the lines on Pharaoh's griefless ease.

  • IncludesDaqūqī and the Seven CandlesAttested

    Mathnawī III.1984–1995, in the tale of Daqūqī that begins at III.1924.

  • IncludesThe Lover and the Night PatrolAttested

    Begun at Mathnawī III.4749 and concluded at IV.40–65; the passage here is IV.53–65.

  • IncludesThe Tanner in the Perfume MarketAttested

    Mathnawī IV.269–279, inside the story at IV.257–293.

  • IncludesThe Three FishAttested

    Mathnawī IV.2272–2280, inside the tale of the three fishes at IV.2202–2300.

  • IncludesThe Bird's Three CounselsAttested

    Mathnawī IV.2252–2263, inside the bird's story at IV.2245–2265.

  • IncludesThe Garden WithinAttested

    Mathnawī IV.1358–1365, inside the story at IV.1358–1372, which interrupts the story of Solomon and the carob.

  • IncludesThe Journey Through the KingdomsAttested

    Mathnawī IV.3637–3649, near the end of Book IV.

  • IncludesAyāz and His SheepskinAttested

    Book V, lines 3251–3259 in Nicholson's numbering, part of the story of Maḥmūd and Ayāz that runs through the book.

  • IncludesThe Sage and the PeacockAttested

    Book V, lines 553–558 in Nicholson's numbering, from the tale of the sage and the peacock (V.536 onward).

  • IncludesThe Ruby and the SunAttested

    Book V, lines 2029–2038 in Nicholson's numbering, inside the story of Maḥmūd and Ayāz.

  • IncludesThe Turkish Amir and the MinstrelAttested

    Book VI, lines 704–707 in Nicholson's numbering, from the story of the drunken Turk and the minstrel.

  • IncludesThe Faqir and the Hidden TreasureAttested

    Book VI, lines 2353–2362 in Nicholson's numbering, the resolution of the story of the faqir and the treasure-scroll.

  • IncludesThe Three TravellersAttested

    Book VI, lines 2486–2497 in Nicholson's numbering, from the story of the three travellers (VI.2376–2509).