The Greengrocer and the Parrot

Bald Like Me

There was a greengrocer who had a parrot, a sweet-voiced green talking parrot.(Perched) on the bench, it would watch over the shop (in the owner’s absence) and talk finely to all the traders.In addressing human beings it would speak (like them); it was (also) skilled in the song of parrots.(Once) it sprang from the bench and flew away; it spilled the bottles of rose-oil.Its master came from the direction of his house and seated himself on the bench at his ease as a merchant does.(Then) he saw the bench was full of oil and his clothes greasy; he smote the parrot on the head: it was made bald by the blow.For some few days it refrained from speech; the greengrocer, in repentance, heaved deep sighs,Tearing his beard and saying, “Alas! the sun of my prosperity has gone under the clouds.Would that my hand had been broken (powerless) at that moment! How (ever) did I strike (such a blow) on the head of that sweet-tongued one?”He was giving presents to every dervish, that he might get back the speech of his bird.After three days and three nights, he was seated on the bench, distraught and sorrowful, like a man in despair,Showing the bird every sort of marvel (in the hope) that maybe it would begin to speak.Meanwhile a bare-headed dervish, clad in a jawlaq (coarse woollen frock), passed by, with a head hairless as the outside of bowl and basin.Thereupon the parrot began to talk, screeched at the dervish and said, “Hey, fellow!How were you mixed up with the bald, O baldpate? Did you, then, spill oil from the bottle?”The bystanders laughed at the parrot’s inference, because it deemed the wearer of the frock to be like itself.

Masnavi I.247–262 · tr. R. A. Nicholson, 1926

In Whinfield's 1887 abstract the parrot is innocent: "a cat upset one of the oil-jars" and the oilman blames the bird. In Nicholson's line-by-line version the parrot itself "sprang from the bench and flew away; it spilled the bottles of rose-oil" (I.250), so the bald dervish is charged with the parrot's own deed.

Whinfield 1887, Book I, Story II, "The Oilman and his Parrot"; Nicholson 1926, Masnavi I.250 (p. 17)


A parrot spills the rose-oil, is struck bald, and hails a passing bald dervish as a fellow oil-spiller.

Masnavi I.247–323, the second tale of Book I, straight after the king and the handmaiden. A greengrocer's talking parrot, left to mind the shop, flies off its bench and spills the rose-oil; the grocer strikes it bald, and it stops speaking. He gives presents to every dervish in the hope of its speech, and when a bare-headed dervish passes, the parrot speaks at last — to ask whether he too spilled oil. The lines here, I.247–262, are the whole tale, from the talking parrot on its bench to the bystanders' laughter. Rūmī then draws the moral in his own voice (I.263) and widens it into a long warning against judging prophets and saints by oneself, against the hypocrite who joins the sincere at prayer "for quarrelling's sake", and against impostors who "give the title of Ahmad (Mohammed) to Bu Musaylim" (I.321).

Light

It is funny first: a bird struck bald for its own clumsiness sees its own disgrace on the first bald head that passes, and says so. The joke carries the lesson before Rūmī states it — the parrot reasons flawlessly from itself and is completely wrong.

Shadow

The moral cuts one way. The reader who judges holy men by himself is the parrot, but the judge of who is holy is "a man possessed of (spiritual) taste" whom the reader must first "Find" (I.276), and those who claim equality with prophets and saints are given "the nature of an ape" (I.281).

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Linked entries

  • Attributed toRūmīAttested

    Book I of the Masnavi, dictated by Rūmī, who draws the moral in his own voice at I.263.

  • Part ofThe MasnaviAttested

    Book I, lines 247–323: the poem's second tale, with the long moral that follows it.

  • Set againstThe Merchant and the ParrotAttested

    Book I's two parrots: this one reads a stranger by its own wound and is laughed at; the merchant's parrot reads the Indian parrot's feigned death rightly and goes free (I.1825–1832).

  • Derives fromReynold A. NicholsonAttested

    Every English line here is Nicholson's 1926 translation of Book I, checked against the page images of that printing.