Ayāz and His Sheepskin

What Ayāz Kept Locked Away

O Ayáz, what is this love of yours for your old shoes,Which resembles the love of a lover for his mistress?You have made these old shoes your object of devotion,Just as Majnun made an idol of his Laila!You have bound the affection of your soul to them,And hung them up in your secret chamber.How long will you say orisons to this old pair of shoes?And breathe your oft-told secrets into inanimate ears?Like the Arab lover to the house of his dead mistress,You address to them long invocations of love.Of what great Asaf were your shoes the house?Is your old garment, think you, the coat of Yusuf?Like a Christian who confesses to a priestHis past year’s sins of fornication, fraud, and deceit;In order that the priest may absolve him of those sins;He thinks the priest’s absolution the same as God’s!That priest is unable to condemn or to absolve;—But faith and love are a mighty enchantment!

Masnavi V · tr. E. H. Whinfield, 1887

The question is a feint: Rūmī's heading to V.3251 says Maḥmūd asked it to make Ayāz speak. Ayāz answered at V.2113, a reply Whinfield's abridgement leaves out.

Masnavi V.2113–2115 and the heading before V.3251, in Nicholson's numbering (his translation of Books V–VI, 1934, checked at masnavi.net; paraphrased, not quoted); Whinfield 1887, Book V, Story VIII, pp. 245–247, and Story VIII continued, pp. 261–262.


Sultan Maḥmūd asks his favourite why he visits a pair of old shoes the way a lover visits his beloved.

More context

In Masnavi Book V, Ayāz, favourite of Sultan Maḥmūd of Ghazni, keeps in a locked chamber the clothes he wore before the king raised him. They are Whinfield's “old shoes and the ragged dress”, a sheepskin jacket and rustic shoes in Nicholson's numbered version. He visits them daily so as not to grow proud. Envious courtiers, suspecting he hides coin stolen from the treasury or wine, break in at night and find only these. The tale opens at V.1857 in Nicholson's numbering and, as Whinfield notes, returns at intervals to the end of the book. The lines here are the king's address at V.3251–3259; Rūmī's heading says he asked on purpose, to make Ayāz speak. Whinfield tells the story in prose, citing the Qurʾān's “Let man reflect out of what he was created”, and translates this address in verse.

Light

Humility as a practice, not a sermon: a man at the height of favour revisits his old clothes daily.

Shadow

The king likens Ayāz to a Christian confessing to a powerless priest, praising one reverence by casting another as credulous.

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