Philosopher's Stone

Lapis Philosophorum

Alchemy's goal read as the soul's own: making the stone is the making of the one who makes it.


In alchemy, the philosopher's stone is a mythical substance capable of turning base metals into gold or silver, and acts as an elixir of life for rejuvenation and immortality. It represents the central symbol of mystical terminology, symbolizing perfection at its finest, psychological enlightenment, and heavenly bliss. The process of creating the stone is an allegory for the spiritual evolution of the alchemist.

Light

Symbolizes the journey of the soul towards its highest potential, spiritual awakening, and the realization of one's true self.

Shadow

Can represent an obsession with unattainable perfection, greed for material wealth, and the dangers of pursuing power without wisdom.

Authoritative Sources

Sources and verification6 links

No formal citations for this entry yet. The reading above carries its own attribution.

Linked entries

  • Often confused withThe Holy GrailA modern connection

    Wolfram von Eschenbach's Parzival (c. 1200–1210) makes the Grail a stone, lapsit exillis, and Jungian readings treat that stone as the alchemists' — Emma Jung and Marie-Louise von Franz, Die Graalslegende in psychologischer Sicht (1960), translated as The Grail Legend (1970). The identification is theirs, not Wolfram's.

  • Received fromHermes TrismegistusTraditional

    Latin alchemists named Hermes as the founder of their art and read the Emerald Tablet's 'as above, so below' as the stone's warrant.

  • Received fromThe Emerald TabletAttested

    Latin alchemists read the Tablet as a veiled account of the great work, and its closing words about the operation of the Sun were taken as warrant for the stone.

  • Set againstThe KybalionAttested

    The Kybalion reads transmutation as an operation of mind alone, setting aside the laboratory work that the literature of the stone describes.

  • Set againstThe Black CubeAttested

    Alchemy's Saturn is lead and its blackness is the nigredo, the first stage of the work — a phase to be passed through rather than an emblem to be found.

  • Set againstEntheogensA modern connection

    Both name a substance said to transform whoever takes it, but the entheogen literature points at identifiable plants and datable rites, while the stone was never anything a person could gather.